The success of Rumours, though, took the band to a whole new level of fame. Their first album together, Fleetwood Mac (1975), which features classic tracks such as Nicks’s “Landslide” and Christine McVie’s “Over My Head”, went to No 1 in the US, selling more than 4 million copies. Blues remained a backdrop, but Christine McVie’s classical roots, which can be clearly heard on “Songbird”, combined with Nicks’s folk-country influences and Buckingham’s innovative guitar structures to create something multi-textured and melodically rich. The band’s sound evolved with its new triumvirate of songwriters. The duo were a couple, though, and so inseparable that Buckingham told Fleetwood that they only came as a package deal (“Stevie’s never forgiven me,” Fleetwood says). What is now considered the classic line-up – Fleetwood, John and Christine McVie, Stevie Nicks and Lindsey Buckingham – took shape after the revolving door of guitarists leaving the band in the early Seventies left a gap that Fleetwood tried to fill with the man he’d heard playing on a Sound City studio tape of the Buckingham Nicks album (released in 1973).
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They had a No 1 single with “Albatross” in 1968, followed by two songs, “Man of the World” and “Oh Well”, that both reached No 2 in the UK, plus three top 10 albums. The band experienced significant chart success almost from the beginning of their career, with an authentic blues sound built on Green’s virutoso lead guitar and the stellar rhythm section of McVie and Fleetwood, who to this day says he doesn’t “know” the songs, but plays them instinctively (“the power of those two,” says Christine McVie, “you can’t ever know what that feels like until you’re standing on the stage with them”). He eventually did, with a bit of persuading. The Mac part of the band’s name was founding member Green’s attempt to convince McVie to leave his steady gig playing bass for the Bluesbreakers. When the band set out in 1967, of course, there were just guys, although they didn’t yet include John McVie.
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